In the same way, at time nudes ended up recognized, and not demonized, if connected to a selected allegory or the re-enactment of a mythological function. An illustration of the above will be the celestial, asexual creature in Botticelli's Venus, a piece sharply at odds with late Renaissance tendencies, perfectly exemplified by Titian's more “pro

Heckerling’s witty spin on Austen’s “Emma” (a novel about the perils of match-making and injecting yourself into situations in which you don’t belong) has remained a perennial favorite not only because it’s a wise freshening on the classic tale, but because it allows for therefore much more outside of the Austen-issued drama. I'm thi